Editing Tekker

• TAKE
• SEQUENCE
• CUT
• JUMP CUT
• FADE 
• WIPE
• DISSOLVE
• SUPERIMPOSE
• MONTAGE
• INVISIBLE EDITING/CONTINUITY EDITING
• MOTIVATED EDITING
• LONG TAKE
• SLOW MOTION
• SHOT-REVERSE-SHOT
• DUBBING
• EYELINE MATCH
• MATCH ON ACTION

Sound

Asynchronus: does not derive from source that is visible.
Soundbridge: Adds continuity as sound from one sequence carries on to the next sequence
Foely: Reproduction of everyday sounds such as a crash being made from another source
Parallel: Directs attention specifically, matches what we can hear and see
Contrapuntal: Counterpart to what we see and hear, mismatch/no link
Leitmotif: Repeated theme or phrase used to suggest an idea or character within story
Synchronous: Sound that matches visual images such as dialogue
Non-Digetic: Only audience can hear, often used to create tension
Digetic: Inside frame, both audience and characters can hear sound

Codes and Conventions-

• Details of cast and crew
• The Films Title
• An introduction to character and character type
• Indication of Place
• Indication of Historical Period
• Information Regarding Theme and Mood and Tone
• Introduction to Theme Tune
• Information about Genre
• Questions the Viewer Finds intriguing - Sets up Enigmas
• Patterns and Types of editing that will be echoed in the remainder of the film
• Mise en Scene and Cinematography that will be echoes or elaborates upon later in the film

Order Of Title Sequence Credits

1. Studio
2. Director (possible one of two times)
3. Stars (in order/reverse order of fame/status)
4. Film Title
5. Crew
6. Editor
7. Writer - Screenplay
8. Producer
9. Directer (an optional choice of second time)